The Spaces Within – New World Symphony, Miami

The Frank Gehry designed New World Center comprises a vast collection of geometries: a range of spaces seemingly carved into the solid mass of their container with little respect for the right‐angle or the straight line. An interior where it can be difficult to comprehend where one surface finishes and another begins, as to where the volume of any one space touches another. Could music performed simultaneously across separate parts of the building explore and expose the remnants of musicians who reside between? Could it access other worlds that are lost between the physical geometries?

The Spaces Within premiered at the Network Performing Arts Production Workshop in April 2018 as a work in  progress with the fellows of the New World Symphony.

CREDITS

Concept, Production & Visual Art: Studio Biscoe
Musical Direction:
Roman Yearin, Christopher Robinson
Music: Charles Ives: The Unanswered Question, Aaron Copland: Appalachian Spring (excerpts)
Networked Conductors: Roman Yearin, Christoper Robinson, Gregory Cardi
Musicians: Peiming Lin (Violin 1), Hye Jin Koh (Violin 1), Alex Lee (Violin 1), Margeaux Maloney (Violin 2), Ju Hyung Shin (Violin 2), Kip Reicken (Viola), Jesse Yukimura (Viola), Esther Chae (Cello), Jack Gallahan (Cello), Doug Aliano (Bass), Stephany Kim (Flute), Chloe Turdi (Flute), Johanna Gruskin (Flute), Jesse McCandless (Clarinet), Ansel Norris (Trumpet), Darren Hicks (Bassoon), Michael Linville (Piano).
Choreographer: Jana Bitterova
Dancers: Ivonne Batanero, Samantha Pazos
Audio:  Alan Miller,  John Henry Dale
Robot Cameras & Video Tech: Dan Slentz, Mike Van Roy, Shaun Wright, Bryan Rider,
Lighting: Luke Kritzeck
IT: Luis Quintero, Andrew Salman
Technician: Michael McEvoy
Special Thanks To: Justin Trieger, John Kieser
Photography & Videography: Studio Biscoe, Justin Trieger, New World Symphony
Supported by: New World Symphony

Video coming soon……

Longing for the Impossible… (Copenhagen, Barcelona & London)

Longing for the Impossible for the Moment it is Real (Longing…), hosted by the Royal Danish Academy of Music in Copenhagen – Denmark’s first public networked performance.

Longing… comprised 5 contemporary compositions which featured a different mix of musicians and dancers in Copenhagen, Barcelona and London.  A visual theme of orbiting spheres  (inspired by the atomic model of Danish physicist Niels Bohr) was used to create  a networked performance dramaturgy in which the performers – regardless of physical location – were all elements of the same performance space as experienced by the audience.

Animal #1 –  composition by Esben Nordborg Møller for string quartet accompanied by 3 dancers in Barcelona.

Perfunctory – composition by Rob Durnin for string quartet and marimba, two vocalist (one in Copenhagen and one in London) and a solo dancer in Copenhagen.

Invisible Movement – composition by Anna Nikolova performed by Anna on Disklavier with dancers in Copenhagen.

Your clone continues to run for his life – composition by James Black for Carophone (a custom instrument) performed by James, a Harpist dueting in London, and two dancers in Barcelona.

The Taking After The Kiss – composition by Xavier Bonfil for Marimba and electronics with dancers in Copenhagen and Barcelona.

Longing… was performed for two nights at the Pulsar festival of contemporary music in March 2017 and again for one night at the Network Performing Arts Production Workshop in April 2017.

VIDEOS: Difficulties with the cameras being used to document the performance and challenging light conditions means we are still working to bring you a more complete film of the performance but here are two short clips which show the beginning of the opening sequence (movement #1) and part of the closing sequence (movement #5).

CREDITS
Composers: Esben Nordborg Møller, Xavier Bonfil, Anna Nikolova, James Black, Rob Durnin
Composer Coordination: Niels Rosing-Schow
Musicians: Kalle Hakosalo, Cecilie Emtoft, Martyna Kulpińska, Marcus Mukherjee, Daniel Sledzinski, Caitriona Finnegan, Anne-Kristine Skov Vognsen, Feargal MostynWilliams, Henriette Poos, Anna Nikolova, James Black, Xavier Bonfil
Vocal Coordinators:  Ann Somerville, Eva Hess Thaysen
Dancers/Choroegraphers: Marie Lykkemark Simonsen, Georgia Kapodistria, Indrek Kornel, Bruno Ramri, Irene García,  Elia Genis
Networked Technical Partners: Maria Isabel Gandia Carriedo, Tania Lisboa

Audio, Video & Network Engineering: Jesper Andersen, Peter Barnow, Juan. Bayona, Jonas Krossli, Javier Iglesias, Pedro Lorente, Toni Lucea, Weronika Wierzba, Casper Augustenborg
Producer: Thomas Solak
Networked Choreography/Artistic Adviser: Jana Bitterova
Direction, dramaturgy, set design, 3D stream animation, projection, visual art and lighting: Studio Biscoe
Supported by: MACBA, Barcelona; Institut del Teatre, Barcelona; Institut de Cultura de l’Ajuntament de Barcelona; CSUC, Barcelona; Royal College of Music, London; Studio Biscoe, UK; DeiC, Denmark.

Similarities (Copenhagen, Miami, Barcelona & Prague)

In association with choreographer and dancer Jana Bitterova (Movement Touch) a 4 location performance of dance and music between Copenhagen (DKDM – Royal Danish Academy of Music), Miami (New World Symphony), Barcelona (MACBA) and Prague. The project was conceived as a real-time film: low latency av streams from each of the four locations were sent to a live mixing station in Copenhagen where the streams were composed and transitioned in real-time, then fed to an adjacent studio where the audience were seated in front of a large projection screen.  The performers in Copenhagen (on the roof garden of the Royal Danish Academy of Music), Barcelona (in a building adjacent to and overlooking MACBA) and Miami (on the roof of the New World Symphony in Miami Beach with views to the ocean)  each explored – to a loose choreography – the similarities of their environments.  In Prague (at the National Technical Library) the group The Unlimited Trio provided the live soundtrack which was streamed to the other three locations for each performer’s movement.

The project was supported by CESNET (the Czech academic network operator) who provided the  live stream network hub in Prague and from there transmitted four HD1080 streams to Copenhagen for live editing.

CREDITS
Artistic Director & Choreography:
Jana Bitterová
Live Editing & Stream Mixing: Studio Biscoe
Music: Unlimited Trio

Copenhagen – The Royal Danish Academy of Music
Performance: Jana Bitterová
Camera: Sybilla Tuxen
Technical Team: Sven Ubik, Ian Biscoe, Thomas Solak

Miami – The New World Symphony
Performance/Choreography: Jocelyn Perez
Camera: David Marin
Technical Team: John Henry Dale, Justin Trieger

Barcelona – MACBA
Performance/Choreography
: Rosa Sanchez – Konic Thtr
Visuals : Alain Baumann
Camera : Adolf Alcañiz
Network coordination : M. Isabel Gandia (CSUC)

Prague – National Technical Library
Music Performance: Unlimited Trio (Nikita Krein, Aliaksandr Yasinski, Ilya Blackwedge)
Camera: Vojtěch Votýpka
Prague video production: Pavel Pečiva
Technical Team: Sven Ubik, Jiří Navrátil, Martin Kolbe, Jakub Halák, Jiří Melnikov, Jiří Kubišta

Network Solutions: CESNET

Live Stream Editing Solution: Studio Biscoe

The Bridge To Everywhere : 234 (Cuba and Miami)

The Bridge To Everywhere:234 – World’s first network performance with Cuba!  Between Havana, Cuba and Miami. Cuban dancers and musicians performed live across three networked locations: at the New World Center of the New World Symphony in Miami Beach; at the LightBox of Miami Light Project in the Wynwood District of Miami; and in Havana, Cuba.

Edited highlights of the part of the performance at New World Center on 22 March 2016 on the 7,000 square foot (5 storeys high) Wallcast projection screen and live green screen stage.

See further information on the project website, here and here.

Here – Not Here – Where? (London Manchester Falmouth)

An exploration of three remotely connected sites, explored through the medium of dance and found sounds rooted in their locality, which asks the question what is here, what is not here, and if not here, where ? In this new work Studio Biscoe continues an exploration of new narratives for network performance: employing (primarily) open source streaming and projection mapping technologies; stepping away from fixed screen based visualisation; and endeavouring to investigate and reveal site specificity in a telepresence context.

The premiere performance of “Here : Not Here : Where?” was at the Royal College of Music on 4th May as part of the Network Performing Arts Production Workshop 2015 (NPAPW) organised by GÉANT, Royal College of Music, Jisc, and Internet2,

Thanks for the amazing support of the following: Choreography/Dancer – Margherita Bergamo;  Dancers – Ina and Tiia Veneranta Falmouth; Technical Operations – Dan Thompson and Josh Butcher, Joint Effort Studios; Manchester Technical Operations: Jason Crouch; Floating Surface Fabrication – Dom Allen (DAW Electronics); Sound Recordings – David Prior; Venues: Falmouth University & Contact Theatre, Manchester.
This project was partly supported with funding from JaNet/Jisc.

Online Orchestra

The Online Orchestra is a research project funded by the Arts and Humanities Research Council (AHRC), investigating how the internet could be employed to give children and amateur musicians who live in remote communities around the country the same opportunities to play in an orchestra as those who live in larger towns and cities.

The premier performance on 12th July 2015 covered four locations: Truro Cathedral (Strings, Choir, Percussion), Mullion School (Brass) , Five Islands School on the the Isles of Scilly (Flutes) and the conductor John Hargreaves at Falmouth University.  The event was attended by more than 400 people and worked flawlessly.

Studio Biscoe supported many areas of the research project,providing expertise in network latency and real time performance, audio/video streaming and the project website.  For the premier performance at Truro Cathedral Studio Biscoe designed the video streaming platform, projection mapped installation onto 3 large screens, and custom graphics/animations.

The Online Orchestra won  gold in the arts and humanities category of the 2017 Reimagine Education awards and a silver award in the European competition (cross-discipline): .

Ultraorbism with Marcel.lí Antúnez Roca (Barcelona and Cornwall)

A meeting with Catalan artist Marcel·lí Antúnez Roca at a conference in Barcelona a few months before led to a cooperation in which two performance spaces (Falmouth University in Cornwall, UK and Arts Santa Monica in Barcelona) were linked for a unique interactive telepresence theatre event on 9th April 2015.

Ultraorbism was a project directed by Marcel·lí Antúnez Roca, based on True Histories by Lucian of Samosata. It was part of the European project SPECIFI and the research area RICHES. Support was from the Ministry of Culture of the Government of Catalonia and the i2CAT Foundation.

See also: https://www.facebook.com/ultraorbism and http://www.marceliantunez.com/work/ultraorbism/

Fascinate 2014

For 4 days in August the second Fascinate conference and showcase attracted digital artists and performers from across Europe, North & South America to Cornwall.

The festival showcase, occupying The Moor (the old town square in Falmouth) was a key component of the 2014 Tall Ships events in the town. Fascinate 2014 comprised over 60 performances and installations (mostly employing digital media and technologies) by artists from more than 20 countries. A custom stage and full scale projection mapping of buildings in the town square entertained more than 10,000 people.

Fascinate 2014 was created and produced by Studio Biscoe with the support of Falmouth University, AMATA, Arts Council England, Falmouth Town Council  and Cornwall County Council. Video: Joint Effort Studios.

Portraits for a Study

A four location streamed audio/video performance with disklavier (automatic pianos), chamber orchestra and pianist.  In conjunction with the Vconect platform and research project Studio Biscoe developed custom audio/video streaming platforms and supported many aspects of systems integration and production.

Music composed by Jim Aitchison in response to the works of Gerhard Richter. In part one of the performance, Pianist Roderick Chadwick played 4 Disklavier pianos simultaneously, linked via broadband, 300 miles apart, at Falmouth University, The Royal Academy Of Music, Goldsmiths University and Yamaha Music London. In part two, the music was performed once again, in a re-filtered version for string quartet, by the Kreutzer Quartet (Peter Sheppard Skærved, Mihailo Trandafilovski, Morgan Goff, and Neil Heyde).

The Tempest

An innovative performance in Cornwall of Shakespeare’s 400-year-old play The Tempest – modified for two stages at networked locations – explored how technology can change the way we experience theatre; examining new narratives (or an expanded classic in this case) and bringing remote audiences together in a unified experience. The project provided a use case examination of the Vconect conferencing platform with script, staging and actors provided by Cornish based Miracle Theatre.

Unmanned cameras (with pan tilt zoom functions controlled by a computer based script engine) at each location captured the performance and streamed it live over the BT superfast connection to screens at the other location and to audiences at home, watching on the internet. It is believed to be the first time in the world that a production performed at two locations in this way has also been transmitted over the internet to people at home.

Studio Biscoe developed custom audio/video streaming platforms and supported many aspects of systems integration and production.

Waiting for Godot

A demonstration of the Vconect smart video conferencing platform supporting an ambitious demonstration at ICT 2013 in Lithuania. The Vconect platform enabled the delivery of scenes from Beckett’s play ‘Waiting for Godot’ performed by an actor in Vilnius and one in Falmouth. The demonstration helped highlight the way that concepts from Vconect can be used to support innovative styles of dramatic performance and acted as a first technical test of the system that will be used to support the performance of The Tempest in late summer 2014.

Studio Biscoe developed custom audio/video streaming platforms and supported many aspects of systems integration and production.